I went to the Met today
I went to the Met today
The Ghostly Sculptures of Bruno Walpoth
Ghostly sculptures of Bruno Walpoth. Life-size, his powdered beauties, as if in opposition to their ghostly stature, seem heavy and grounded, their gazes locking whomever sees them into a spiritual arrest.
Working with traditional sculptural methods, Walpoth’s work is almost alchemical in quality. Muscles, eyes and fingers that have been carved into wood (lime and walnut) or covered with lead leaf foils, seem soft and supple, sad and pensive. Idealistically beautiful, his figures show signs of bones and sinew under fragile skin.
Marks from carving tools show on the surface of the wooden bodies, and serve as quiet reminders that these creatures are not human. The marks break what anthropomorphizing has taken place and the observer is introduced to (or reminded of) the artist. In a strange way, that break makes these works even more fascinating; they make clearly visible the love that has been passed from the creator to the created.
“Contrary to Geppetto, who constructed himself a child (Pinocchio) out of a piece of wood to banish his loneliness, Bruno Walpoth attempts, perhaps out of awareness of life’s transience, to immortalize the volatile spark of youthfulness he catches in the eyes of his models – sometimes his own children – into a wooden sculpture,” writes Absolute Art Gallery‘s Diana Gadaldi. Walpoth’s figures are also reminiscent of the children in the paintings of Dino Valls and Gottfried Helnwein, yet are not so tortured nor forced into adulthood. They are more ghostly, or perhaps more Buddhist, as if silently accepting of a new maturity. Ms. Gadaldi also states that “[they] seem to be immersed in a moment of intimate meditation. Their detached attitude and dreamy expression are characteristic for the stage of life they are going through: one of slow but inexorable physical and psychological development. As they evolve from children to adolescents and from adolescents to young adults, the first traces of self-consciousness and emotional involvement appear on their often still infantile faces.”
Jordan Davis would have turned 19 this year.
The black teen was killed in 2012 while sitting in a car with his friends outside a Jacksonville, Florida convenience store, listening to music.
That music was too loud for Michael Dunn. Following an argument over the volume, the 45-year-old man fired his gun into the car full of teenagers, killing Davis. Dunn told his fiancee the teens were playing “thug music.”
On the eve of Davis’ birthday, a mistrial was declared on the first-degree murder charge. The jury found Dunn guilty of attempted second-degree murder and a count of firing into an occupied car.
While people struggled to make sense of the verdict, Jamie Nesbitt Golden kicked off the #dangerousblackkids hashtag on Twitter, with participants questioning a society where unarmed black kids are often interpreted as threats.
So uhh, my clothing dye ate through my gloves…..
+3 spellcasting +1 summoning EFF: 2XDAM vs undead
The tattoo makes it more demonic than undead.
They shoulda done one of the empire state building then zoom out to my dusty ass block.
Gorgeous pages from Astronicum Caesareum, 1540, a manual on the use of astronomical devices like the astrolabe. Hand-colored woodcuts by Michael Ostendorfer, written by Petrus Apianus, court astronomer to Charles V, Holy Roman Emperor. (Metropolitan Museum of Art)
the only appropriate question to ask after a woman talks abt getting sexually assaulted and cat-called is "what was he wearing”
SO WE CAN GO FIND THAT MOTHERFUCKER AND KICK HIS KNEES IN
Know where you stand.
hitler looks like he just got stuck as a third wheel or something